AMORQUIT

IMMERSIONS IN THE AFRODESCENDANT IDENTITY OF BRAZILIAN AMAZONIAN POETRY

Abstract

This paper makes an analysis of the poem-art amorquit by the self-taught poet Rozalvo Farias. The analysis will focus on the elements that constitute the poem and also in the search to interpret it, considering the context of production. In this analysis, special attention will be given to the imagetic symbol that appears constructing and reconstructing the meaning of the words, besides the aesthetic devices, notions of identity and memory as categories perceptible implicitly and explicitly throughout the construction of the poem. Thus, the analysis focuses on the most recurrent components of the text. For this, the theoretical contributions of Candido (1996), Ricoeur (2007), Candau (2012), Halbwachs (1990) and Chervallier and Gheerbrant (1986) were used.